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Georg Flegel
Still Life with Bread and Confectionery 7
Stadlsches Kunstinstitut
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Georg Flegel
Still Life with Stag Beetle
1635
Wallraf-Richartz Museum, Cologne
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Georg Flegel
Large Food Display
Alte Pinakothek, Munich
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Georg Flegel
Dessert Still Life 1
Alte Pinakothek, Munich
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Georg Flegel
Portrait of an Unknown Nobleman
1547
National Gallery of Scotland, Edinburgh
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Georg Flegel
Still Life with Fish and a Flask of Wine (mk05)
Wood,7 1/2 x 6''(19 x 15 cm)Acquired in 1981
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Georg Flegel
Still Life (mk08)
Oil on copper
78x67cm
Munich,Bayerische Staatsgemalde-summlungen,Alte Pinakothek
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Georg Flegel
Still life of grapes on a pewter dish,together with peaches,nuts,a glass roemer and a silver tazza containing apples and pears,and a blue-tit
mk56
oil on panel
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Georg Flegel
Still Life
mk86
undated
Oil on copper
78x67cm
Munich,Bayerische Staatsgemalde-Sammlungen,Alt Pinakothek
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Georg Flegel
Still Life with Flowers and Food
mk91
Oil on canvas
52.5x41
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Georg Flegel
Two Tulips
mk141
23.3x17.1cm
Oil on canvas
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Georg Flegel
Two Tulips
mk141
23.1x16.6cm
Oil on canvas
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Georg Flegel
Two Tulips
mk141
23.1x17.1cm
Oil on canvas
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Georg Flegel
Two Tulips
mk141
Oil on canvas
23.1x17.0cm
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Georg Flegel
Two Tulips
mk141
Oil on canvas
23.2x17.3cm
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Georg Flegel
Two Tulips
mk141
Oil on canvas
23.2x17.4cm
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Georg Flegel
Two Tulips
mk141
Oil on canvas
23.3x17.4cm
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Georg Flegel
Two Tulips
mk141
Oil on canvas
22.8x16.8cm
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Georg Flegel
Two Tulips
mk141
Oil on canvas
23.1x16.9cm
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Georg Flegel
Style life table with flowers, Essuaren and Studenglas
mk186
around 1630
Stuttagart, country gallery
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| Georg Flegel
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1566-1638
Georg Flegel Location
German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
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